- What
- Who
- Alison Gill
- Alphonso Lingis
- Alun Rowlands
- Amanda Beech
- Aya Ben Ron
- Biscuit
- Brian Dawn Chalkley
- Chris Ofili
- David Spero
- Duncan Campbell
- Ellen Cantor
- Fiona Banner
- Forster & Heighes
- Gavin Turk
- Gillian Wearing
- Group exhibition
- Hilary Lloyd
- Inventory
- Jake and Dinos Chapman
- Jeremy Deller
- Joanna Billing
- John Timberlake
- Kerry Tribe
- Luciana Parisi
- Maggie Roberts
- Mercia Cantor
- Mike Nelson
- Nigel Cooke
- Orphan Drift
- Paulina Olowska
- Pavel Pepperstein
- Peter Lanyon
- Pietro Mattioli
- Polly Staple
- Roman Vasseur
- Scarlett
- Simon Bill
- Simon Periton
- Steven Claydon
- Stuart Moxham
- Suhail Malik
- Thao Nguyen Phan
- Various
- Various Artists
- William Burroughs
- With
- Arnolfini
- Artwords
- Artwords Press
- Believe Media
- Bergen Kunsthall
- Blitz
- Book Works
- Box Space
- British Council
- Cabinet
- Camden Arts Centre
- Centre for Performance Research
- Dundee Contemporary Art
- Film & Video Umbrella
- Firstsite
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- Gagosian
- Ikon
- Jay Jopling/White Cube
- JOAN Publishing
- Kings College, London
- Kunstmusem Basel
- Maureen Paley
- MayDay Rooms
- Modern Art Oxford
- NAK Aachen
- Norway
- Nottingham Contemporary
- Oreka Kids
- Paul Elliman
- Platform
- Random House
- Revolver
- Routledge
- Salon 3
- Serpentine Gallery
- Southampton City Art Gallery
- TATE Britain
- TATE Liverpool
- TATE St Ives
- The Vanity Press
- University of Essex
- V&A
- When
BOX SPACE
Magazine
The main working principle behind the innovative Paul Elliman’s Box Space fax magazine, was to utilize the potential of new technology to swiftly combine and distribute material from distant sources.
As such, SecMoCo were delighted to be invited to contribute, (by fax only– a newly emergenent method at the time) the ‘words’ to accompany the similarly faxed-in ‘image’ component (from a different contributor) for a piece on Lisbon. These ‘text pages’ were generated as a result of political graffiti and other typographical findings during sessions of itinerant roaming around that intriguing capital city in the previous year.
The magazine went on the win a prestigious D&AD award in the 1991 Design & Art Direction awards.
First published, in an unlimited fax edition, by Paul Elliman, UK, 1991; edited by Paul Elliman and Peter Miles; texts: various contributors; dimensions: 840mm width, variable length; variable number of pages & images; printed by fax machine on fax rolls.
For press reference: http://www.eyemagazine.com/blog/post/classic-collectionsback-to-the-90s