- What
- Who
- Alison Gill
- Alphonso Lingis
- Alun Rowlands
- Amanda Beech
- Aya Ben Ron
- Biscuit
- Brian Dawn Chalkley
- Chris Ofili
- David Spero
- Duncan Campbell
- Ellen Cantor
- Fiona Banner
- Forster & Heighes
- Gavin Turk
- Gillian Wearing
- Group exhibition
- Hilary Lloyd
- Inventory
- Jake and Dinos Chapman
- Jeremy Deller
- Joanna Billing
- John Timberlake
- Kerry Tribe
- Luciana Parisi
- Maggie Roberts
- Mercia Cantor
- Mike Nelson
- Nigel Cooke
- Orphan Drift
- Paulina Olowska
- Pavel Pepperstein
- Peter Lanyon
- Pietro Mattioli
- Polly Staple
- Roman Vasseur
- Scarlett
- Simon Bill
- Simon Periton
- Steven Claydon
- Stuart Moxham
- Suhail Malik
- Thao Nguyen Phan
- Various
- Various Artists
- William Burroughs
- With
- Arnolfini
- Artwords
- Artwords Press
- Believe Media
- Bergen Kunsthall
- Blitz
- Book Works
- Box Space
- British Council
- Cabinet
- Camden Arts Centre
- Centre for Performance Research
- Dundee Contemporary Art
- Film & Video Umbrella
- Firstsite
- Frith Street
- Gagosian
- Ikon
- Jay Jopling/White Cube
- JOAN Publishing
- Kings College, London
- Kunstmusem Basel
- Maureen Paley
- MayDay Rooms
- Modern Art Oxford
- NAK Aachen
- Norway
- Nottingham Contemporary
- Oreka Kids
- Paul Elliman
- Platform
- Random House
- Revolver
- Routledge
- Salon 3
- Serpentine Gallery
- Southampton City Art Gallery
- TATE Britain
- TATE Liverpool
- TATE St Ives
- The Vanity Press
- University of Essex
- V&A
- When
SMASH THIS PUNY EXISTENCE
Inventory, Book Works
SecMoCo were invited by the magnanimous Mattew Higgs, via the excellent publishers Book Works, to help design and produce Smash This Puny Existence with the artfully subversive collective known as Inventory. This resulted in the publication taking the form of broadsheet posters– large format, double-sided sheets housed within long cardboard tubes.
First published by Book Works 1999 in an edition of 1,500 copies; edited by Matthew Higgs as part of the series Publish And Be Damned; 6 x b&w double-sided sheets, 678 x 478 mm, rolled and housed in a cardboard tube
Context from the Book Works website:
Smash This Puny Existence emerged from street actions staged by Inventory in streets in London and Glasgow. Overnight, the collective fly-posted a series of newly-commissioned texts and images along with ‘found’ material, transforming two busy thoroughfares into public ‘newspapers’. The street became a discursive, polemical space, a place for the exchange of ideas and information. […] It is a significant contribution to Inventory’s ongoing determination of a ‘fierce sociology’.
Links:
www.bookworks.org.uk/node/1560
https://www.bookworks.org.uk/node/1131
https://www.bookworks.org.uk/node/1126